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Accidental Earthworks
Contemporary artists for a long time will owe a great deal to these three land-arts innovators. Wintrell was the group’s spiritual center, whom many called the Ancient of Days. Crebst, a simple physics teacher who read too much Kierkegaard, became the idealist shaman of cement and purity. Moncrief, a gregarious traveler, much like Odysseus, only smaller in build and hardly athletic, was truly a poet at heart, and a reluctant leader, as are many Capricorns. Yet all three pursued the land, knowing that the land, even as it lent them for a time its monumental voice, would ultimately have the last word.
terry w
Terry Wintrell
(1936-1995)
"You have a dream of snakes. In the dream, you have to find the ideal snake to employ as a model for your idea of art. A snake like a river, you think; but, no, that is a metaphor and far too complicated. Snake as snake. Pure snake. That is the goal. Present but do not represent the snake of your dream."
“S i m p l i c i t y” New Walden Quarterly 2:1 (1959)
Darius Crebst
(1945-1981)
"Even as Saul had become Paul, as Peter had gone from fisherman to father of the church, so I knew my life as an artist must change. I sold my backhoe and bought several electric sanders and a carload of solvents and cleaning fluids, rags, etc., and I began to polish."
“Polish: A Manifesto.” Carroll’s Ton 6:3 (1970)
darius creb
Moncrief Moncrief
(1941-1997)
"I hate discussions of intention. You can never know. The lies we tell ourselves and others! Avoid cliché. If there is awareness of the exactitude, one can overcome tautology. For instance, for instants. It is a matter of timing."
“Manifesto Manifesto” Carroll’s Ton 7:1 (1971)
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